Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no more have a closed system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.
Origami facile
Kent du Pre has done Origami Instructions Animals such work on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have appeared occasionally, however the most extreme form occurs in Paper Magic with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course strongly related to paper slicing. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Origami fleur
Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the legs. Rohm folded his Circus pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to
avoid the complexities of a model achieved solely by folding.
Fleur origami
In a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modeling particularly when foil has already been used and one can be certain of the substance remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modelling following the folding The technique of wetting the paper seems to be Japanese in origin was demonstrated by Yoshizawa at a Convention in Luton. Another method of wet moulding using paste in the preparation is talked about by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds tend to be smooth and that we are approaching statue rather than Origami.
Bateau en papier
The associated arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the conclusion to show the multi-layers Origami usually with different colours. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of paper each folded to represent some part of the creature and then brought together. The theory may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have appeared for folding a monster from a amount of squares of different sizes.
Comment faire un avion en papier
Within the most extreme combinations of water Origami Heart Box With Lid and paper we are, of course , in the world of fun which is obviously an open-ended art. DecoratingThe simplest step from a single coloring is one side female and one white or plain. A great offer of modern Origami uses this colour difference. A new delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs Musique Le Bateau De Papier in Japanese papers which are already printed with a design well suited for an exclusive model. The end of this process is evidently the decoration of the final model and therefore into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bow and finally string.
Fleur en papier
The slicing out of holes and so forth. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has Origami Crane Drawing called this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and obviously here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its most basic form organic beef use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or card. One of the most unusual form of 'display mechanics' that I actually am knowledgeable about is by Toyoaki Kawai.
